Well, our new website is actually launched and on line. Thanks to Chuck Reisinger for all his help with this. We have some old playlists up, which I will be adding to next week.
Speaking of next week, the WNCU spring fund raiser begins this Monday the 13th and continues through next Sunday. We will be on the air this coming Saturday raising money for WNCU and 8 Track Flashback. These are tough times, but we need your support, and it has always been the case that there are a few folk (less than 100 generally) who call in and support the show.
If you enjoy the show, I encourage you to call in and make some sort of contribution. It is not just the amount of money contributed that is important but a showing that there is a group of folk out there who enjoy the show enough to step up. So even ten dollars is important, we know from the radio ratings services that over the course of a Saturday show over 3000 folk will tune in. So even if only ten percent called in, it would over triple participation in our fund drive.
This week’s show featured our monthly countdown of 18 R&B chart hits from 50 years ago, in this case April 1959. This was an intersting countdown, with a number of the big hits from 1958 (Stagger Lee by Lloyd Price and Lonely Teardrops by Jackie Wilson) dropping off and being replaced by new records by these artists. Often followup records to big hits are not as strong, but “That’s Why” for Jackie Wilson and “Where were you on our weddng day” are certainly very good records, if tending to be more pop than the earlier tunes. This was a continuing trend on the chart as the labels sought to capitalize on the cross-over appeal of R&B artists and try and broaden their appeal and boost the market.
Still operating behind the scene, Berry Gordy has continuing success with Jackie Wilson, and debued his Detroit Tamla label with a first release by Marv Johnson, “Come to me” though the record charted on the United Artist label which picked up the master for national distribution. More big hits from Marv Johnson were in the offing, though to my knowledge he never charted on any of the Motown group labels.
—all for now, Jim Davis